“We just saw partial storyboards,” he reveals, “so, not knowing any of the dialogue or anything, we really had no idea what it was we were working on, just that they needed this fish monster and it was part of this particular film. The director [Bong Joon-ho] having a fairly good reputation, we were expecting it to be at least halfway decent. The same thing goes, though, with a lot of films. Sometimes we read scripts and think, ‘Yeah, it’s a really good script,’ but by the end, it’s just…not. It becomes very mediocre, and it’s really hard to put your finger on where things didn’t gel. Because going into these shows, most of the time, all the key ingredients are there. I guess it depends on the meddling, whether or not the director’s vision is allowed to get to the screen unimpeded or whether everyone wants to put their two cents’ worth in it.Also interesting, Cox is working on the next film by Greg McLean, director of "Wolf Creek." Apparently the film, Rogue, is about a giant crocodile. (It may be going straight to video.) Will it rival films like Lake Placid, Dinocroc and Alligator? We'll just have to wait and find out.
“In THE HOST’s case, there was Japanese money in it as well,” he notes, “so there was the opportunity for there to be interference from producers from other countries, but it doesn’t seem to have happened. From what I understand, the film is exactly the one that the director hoped to make.”